Emcee and Producer Kero One To Release Sophomore Album Early Believers

 

Emcee and Producer KERO ONE To Release Sophomore Album Early Believers

Self-Contained Bay Area-Based Artist’s Album Features A Mix of Recording Techniques and International Guest Artists

(February 9th, 2009 – Brooklyn, NY) Bay Area producer and emcee KERO ONE will release his sophomore album Early Believers, as a follow-up to his critically acclaimed debut album Windmills of the Soul through his own record company, Plug Music Label on April 7th, 2009.

An avid fan of soul, disco, electro, and Brazilian beats, KERO ONE creates music that embraces these diverse genres without abandoning his hip-hop foundation. The underground success of his 2006 self-released, produced, and written debut album, Windmills of the Soul, went to the top of iTunes charts and led to KERO ONE embarking on world tours and producing for Talib Kweli and Mark Farina. More recently, he has also received major label attention and support from the likes of Will.i.am, B.E.P. front man and producer of Estelle, Nas, and Usher, who, after listening to KERO ONE's album, replied with a personal video message and a note saying: "Wow!!!..this is dope, Kero. I love it, I love it, I love it!"

Now, nearly 3 years after Windmills, KERO ONE has returned with a mission to renew the sounds of modern hip hop by melding together bits of various genres of music. In the creation of Early Believers, KERO ONE has enlisted the talents of some of his favorite singers and vocalists such as Giles Peterson’s UK singer protégé Ben Westbeech, Finland's own modern day "Stevie Wonder," Tuomo, and Portland's Ohmega Watts, to name a few. Pairing vocals with the warm tones of analog compressed drums, vintage synths, and live instruments, KERO ONE has created a 12 track album exhibiting his live instrumentation abilities, and growth and maturity as a writer, arranger, and vocalist.

Independently released with much of the same do-it-yourself work ethic as Windmills, KERO ONE once again takes full control of the music, the manufacturing, promotion, and the art direction of his second album, allowing him to maintain his full creative vision without the influence of outside forces. It is KERO ONE's ultimate hope that Early Believers, with the support of loyal fans and discerning listeners alike, will penetrate the barriers set up by corporate major labels to reach his largest audience to date.